Betsy Cain

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BETSY CAIN

P.O. Box 9751

Savannah, GA 31412

(912)308.6321

betsy@betsycain.com / www.betsycain.com

Education

MFA/ BFA, University of Alabama, Tuscaloosa, Alabama

Instituto Allende, San Miguel de Allende,Guanajuanto, Mexico

Auburn University, Auburn, Alabama

Grants/Awards

Georgia Women In The Visual Arts, Governor’s Award; 1997

Artist Initiated Grant, Georgia Council for the Arts; 1992

Southern Expressions Regional Purchase Award, High Museum of Art, Atlanta, Georgia; 1991

Roswell Museum and Art Center, Roswell, New Mexico; Artist-in Residence Grant; 1980 to 1981

Projects/ Workshops

The Gertrude Herbert Museum, Augusta, Georgia, re certification workshop for high-school art teachers and teachers

from all disciplines. Creative exercises. Feb, 2007, August, 2003.

Pritchard’s Island Artist Retreat, Pritchard’s Island, South Carolina. Awarded by the Beaufort Arts Council, Beaufort,

South Carolina; March 2003

EarthWatch Grant, The Erzbischofliches Diozesanmuseum Koln, an interdisciplinary project in Cologne, Germany,

June 1997. Fine Arts Team, Teresa Norton, Director.

Community

Cultural Committee, Ossabaw Island Foundation, Ossabaw Island, Georgia, 2009.

Cultural Affairs Commission, City of Savannah, Georgia. Appointment by Savannah City Council and Mayor. The

Commission sets policy and recommends funding for all cultural events for the City of Savannah; 1994-1997.

Artists Groups

Creative Force Artists Collective, Savannah, Georgia, interdisciplinary artists collaborate on projects. ”Seeing Sounds”,

innovative approach to art, music and the creative process, Savannah Music Festival and the Telfair Museum of Art,

performance at the Jepson Center for the Arts, March 22, 2009.

S.P.A.C.E, City Gallery, Savannah, Georgia, “Seeing Sounds” Collaborative sculptural installation, exhibition and

performance, March 6 - April 7, 2009.http://creativeforceartists.com/

MEAT, Meddin Evolving Artist Theatre, Savannah, Georgia; artists create working studios and stage community

events and exhibitions in an old meat packing company.

April 4, 2009, MEAT artists joined ‘Taste’ artists for an art and live performance event.

Curated Invitational Exhibitions

“Physical/Metaphysical selected paintings by Rocio Rodrigues, Don Cooper, and Betsy Cain, Gallery 101, curated by

Jeffrey Whittle, Director, Lamar Dodd School of Art of Georgia, The University of Georgia, August 17- September 15,

2009,

"The Painter's Reel", Contemporary Painting in Georgia, curated by Corrinne Colarusso for the Macon Museum of Arts

and Sciences. Noted Georgia painters select, engage, and reflect on the work of their contemporaries, January 2009.

Exhibition travels to the Jepson Center for the Arts, Savannah, Georgia, in January 2010. Featured artists Corrine

Colarusso, Don Cooper, Rocio Rodrigues, Betsy Cain, Marcus Kenney, Cheryl Goldsleger, Tom Nakashima, Philip

Morseberger, Art Rosenbaum, Scott Belville and Stephanie Jackson

"2007 Collector's Show", Arkansas Arts Center, Little Rock, Arkansas, selected by Ellen Plummer, Executive Director,

Curators: Phaedra Siebert, Anne Gochenour, and Joe Lampo. November 30-December 2007.

"Georgia Painters", Macon Museum of Art, Macon Georgia, 2005.

"Live Art", Space 301, Mobile, Alabama, curated by Wanda Sullivan. A juried exhibition of works by 20 artists from the

southeast, October 2004-Jan 2005.

"Elizabeth Cain and Alex Powers, Works on Paper" Gertrude Herbert Institute of Art, Augusta, Georgia. April 20 - May

28, 2004. Curated by Amy Ethridge.

“Georgia Triennial”, 2002-2003. Presented by the Telfair Museum of Art, Savannah; Georgia, curated by Louise Shaw.

An exhibition featuring 30 of Georgia’s most innovative contemporary artists. Traveled to: City Gallery East, Atlanta;

Museum of Arts and Sciences, Macon; Telfair Museum of Art, Savannah; and the Albany Museum of Art, Albany.

“Visions”, Quinlan Visual Arts Center, Gainesville, Georgia; April 2003-May 2003. Featured artists: Carmel Anderson,

Elizabeth Cain, Kathie Hanson, Donna Mintz, Karen Selsor, Kenson Thompson.

"The Essence of Nature", Swan Coach House Gallery, Atlanta, Georgia, Curated by Marianne Lambert, May 1-June

14, 2003.

"The Women’s History Month Art Show", Lees-McRae College, Banner Elk, NC; 2001“Hypnotic-Post, Atlanta

Abstraction Now”, Swan Coach House; curated by Michael Pittarri, Editor, Art Papers; Atlanta, Georgia; January 2000.

"Southern Exposure: Small Works by Regional and Local Artists", Owens-Thomas Regional Arts Gallery, Telfair

Museum of Art, Savannah, Georgia: November 4 - January 5, 1998. Lecture by Holly Koons, Assistant Curator of

Education. Featured Artists : Mary Adams, Elise Ansel, Michael Chad Barrett, Elizabeth Cain, Nocole Foster, Rene

Kuntz, Karen Nangle, Joseph Shields, Mark Uzmann.

Selected Solo Exhibitions

Scheduled: Spring 2011, Jepson Center for the Arts, Savannah, Georgia.

‘unbound’ new works on canvas & paper, Robert Steele Gallery, New York, New York, April 9 - May 9, 2009.

Paintings and Works on Paper, Project Room, Robert Steele Gallery, New York, New York, March 18th - May 10th,

2008.

Paintings, Cutouts, Works on Paper", Rosewood Contemporary Art Gallery, Savannah, Georgia, March 9, 2007.

“pairs”, Sandler/Hudson Gallery, Atlanta, Georgia, December 2002.

Paintings, Gallery Victoria, Naples, Florida, February 2001.

New Works, Sandler/Hudson Gallery, Atlanta, Georgia, 1998.

“Cut-outs, Gouaches and Other small Works”, Owens-Thomas Regional Gallery, Telfair Museum Of Art, Savannah,

Georgia, 1996.

Paintings and Drawings, A Retrospective, Morehead State University, Morehead, Kentucky, 1993.

Paintings, Lamar Dodd Art Center, LaGrange, Georgia, January 1993.

Paintings, Fay Gold Gallery, Atlanta, Georgia, May 1991.

Selected Works from 1979-1989, Armstrong State College, Savannah, Georgia; November 1989.

Paintings and Drawings, Young Harris College, Young Harris, Georgia; February 1989.

Selected Group Exhibitions

“Summer in Suite 402”, Robert Steele Gallery, NY,NY, August 4-August 18, 2009. Betsy Cain, Laurie Frick, Martyn

Jones, Preston Orr, Graham Sears and Keizo Ushio. (First exhibition in the new gallery space).

“Summer Guest House”, Marcia Wood Gallery, Atlanta, Georgia, gallery artists invite guest artists for a summer show,

June 16 - August 1, 2009.

“7 from Savannah”, 2 Car Garage, Savannah, Georgia, March 13-April 14, 2009. Featured artists: Betsy Cain,

Susanne Carmack, Heather Deyling, Deb Oden, Christine Sajecki, Alexandro Santana, and Todd Schroeder.

Summer Show, Gallery Artists, Robert Steele Gallery, NY, NY, Summer, 2008.

Twilight, Three Perspectives, 2Car Garage Gallery, Savannah, Georgia, Betsy Cain, John Olenyik, Preston Russell, to

benefit Savannah's Children's Theatre, Feb 29- Mar 25, 2008.

"Beyond the Gift of Time", Current work by Former Fellows of the Roswell Artist-in-Residence Program, Roswell

Museum and Art Center, Roswell, New Mexico, May 19, 2007-January 13, 2008.

"Woman's Image", Grand Bohemian Gallery, Mansion on Forsyth Park, Savannah, Georgia, April 7, 2007- May 6,

2007.

"Trees and Marshes", Grand Bohemian Gallery, Mansion on Forsyth Park, Savannah, Georgia, June 15, 2007- July

14, 2007.

"5 To Collect 2005", Hospice Savannah, Savannah, Georgia, Jan - Feb 2005.

"Drawings and/or works on Paper, Sandler-Hudson Gallery, Atlanta, Georgia, December 2004-January 2005.

“Five Savannah Artists”, Spiller/Vincenty Gallery, Jacksonville, Florida. December 2001. Curated by Cynthia

Szychenski.

Portraits, Self and Otherwise, Sandler-Hudson Gallery, July, 1999.

Gallery Artists, Sandler/Hudson Gallery, August 1997.

Gallery Artists, Fay Gold Gallery, August 1995.

Southern Women II, Fay Gold Gallery, 1994.

Works by Southern Women, Fay Gold Gallery, Atlanta, Georgia, April 1992.

Contemporary Art by American Women, The Coca-Cola Company, Atlanta, Georgia, March 1991.

Women's Visions, Art Inside, Cocoa Beach, Florida, May 1991.

The Eccentric Landscape, Ester Saks Gallery, Chicago, Illinois, June 1990.

Eleven Women Artists, Brenau College, Gainesville, Georgia, April 1990

Birmingham Biennial, Birmingham Museum of Art, Birmingham, Alabama; May 1989.

National Women Artist Invitational Exhibition, Clemson University, Clemson, South Carolina; 1986.

New Figuration, Harsh Images on Canvas, Asheville Museum of Art, Ashville, North Carolina; 1986.

Artists In Georgia, University of Georgia Art Museum, Athens, Georgia; 1985.

Birmingham Biennial, Birmingham Museum of Art, Birmingham, Alabama; 1985.

The Alternative Biennial, Nexus Contemporary Arts Center, Atlanta, Georgia;1985.

Public Collections

Telfair Museum of Art, Savannah, Georgia

High Museum of Art, Atlanta, Georgia

Roswell Museum and Art Center, Roswell, New Mexico.

University of Alabama, University, Alabama

The Residency Collection, Donald B. Anderson, Roswell, New Mexico

Corporate Collections

Westin Hotel, Savannah, Georgia

Chemical Bank, New York, New York

Hyatt Regency, Cologne, Germany

Hyatt Regency, Washington, DC

Hyatt Regency, Atlanta, Georgia

Kessler Enterprises, Atlanta, Georgia

United States Treasury Department, Atlanta, Georgia

Coca-Cola USA, Atlanta, Georgia

Holder Properties, Atlanta, Georgia

King and Spaulding, Atlanta, Georgia

Alston & Bird, Atlanta, Georgia

Bank of America, Charlotte, NC

Gallery affiliations:

Robert Steele Gallery

511 W 25th Street

New York, New York

212.243.0165

robertsteelegallery.com

Sandler-Hudson Gallery

1009 Marietta St NW

Atlanta, GA  30318

404.817.3300

www.sandlerhudson.com

Bibliography

Painter’s Reel; Contemporary Painting in Georgia, Catalog; Noted Georgia painters select, engage, and reflect on the

work of their contemporaries, color images: “isle of elongation #1”, page 17, “isle of elongation #2”, page 19. Essay by

Rocio Rodrigues, page 16.

Beyond the Gift of Time, Catalog; Current work by former Fellows of the Roswell Artist-in-Residence Program, color

image: "Sino-Slide, 2006.

Coastal Art & Antiques, "5 to Collect 2005", Jan 2005 issue, by Allison Hersh and Tim A. Rutherford, Synopsis of work,

page 7 and photo cover, "Frogmore Duet" oil on cutout board, 2004.

Southern Poetry Review, 43:1 Spring Summer, 2004. cover Image: "Totem", photo-gram, 1991.

Live Art, Space 301, (catalog of the exhibition), Center For the Living Arts, Mobile Alabama, artist statement and

image: "Diurnal Duet", oil on canvas, pg. 8, 2002.

Preview, Telfair Museum of Art, October-December 2004.Color reproduction on back cover, (Low country construct #1,

2002). One of a pair of paintings purchased by the museum.

Georgia Triennial 2002/2003, (catalog of the exhibition), Telfair Museum Of Art, Savannah, Georgia, 2002: with color

reproduction on page 14, (“Mud Island Spin”, 2001), also essay by Curator Louise Shaw, page 13.

New American Paintings, Juried Exhibition- In -Print, Number 22: with color reproductions page 24, (“Sapelo Soup”,

1998), page 25, (Romerly Marsh Maenad, 1998”), page 26, (“Ludowici Rain Dance” ,1998), also artist statement and

biographical information, page 27.

National Women Artist Invitational Exhibition, (catalogue of the exhibition), Clemson University, Clemson , South

Carolina, 1986; with a b/w reproduction ("Bathing With Buddha",1985).

Artist In Georgia, (catalogue of the exhibition), Georgia Museum of Art, Athens, Georgia, 1985; with a b/w reproduction

("Studio Models",1985).

Birmingham Biennial, (catalogue of the exhibition), Birmingham Museum of Art, Birmingham, Alabama, 1985; with b/w

reproduction on page 7 ("Icarus",1985; "Witness and Ritual", 1985).

The Artist's Magazine, September 1986, color reproduction on page 24("Phidippides", 1985).

30TH Arts Festival Of Atlanta (catalogue of the exhibition), Atlanta, Georgia,1983; with a b/w reproduction on page 25

("Don't Bite The Hand......,1982).

Artists In Georgia, (catalogue of the exhibition), Lamar Dodd Art Center, 1982; with a b/w reproduction, ("Anima,

Animus", 1982).

Hersh, Allison. "Twilight expressions, artists focus on that time of day when the light fades away", The Savannah

Morning, News, Savannah, Georgia, March 9, 2008, with color reproductions "Dusk Shape, 2008", "Memory Shield,

2008".

Donovan, Suzanne. "An artist speaks to herself, to all of us", The Savannah Morning News, Savannah, Georgia,

November 13, 2006, front page color photo, also page 1B Coastal Empire section.

Cullum, Jerry. “Sandler offers visions in sizes large and small”, The Atlanta Journal-Constitution, Atlanta, Georgia,

October 2, 1998:page Q8, with color reproduction (“Romerly Marsh Maenad”), 1998.

Cullum, Jerry. “It’s All

Women’s Work At Gold Gallery”, The Atlanta Journal- Constitution, Atlanta, Georgia, June 3, 1994; page 20A, with b/w

reproduction (“Marsh Meditation”, 1994).

DeLorme, Harry H. "Elizabeth Cain", Art Papers, Nov/Dec 1991,Volume 15, #6; with a b/w reproduction ("Southern

Exclamation", 1991).

Demaline, Jackie."Betsy Cain's Art Captures Disparate Moods on Canvas", The Savannah News Press, 13 October,

1985.

Fox, Catherine."Cain Exhibit Accents Paintings, Not Pictures" The Atlanta Journal-Constitution, Atlanta, Georgia,12

January, 1986; page 3j, with a b/w reproduction ("Two Figures", 1986).

Genders, Richard A. "Visual Arts, Cain Projects 'Layers' Of Images", The Asheville Citizens-Times, Asheville, North

Carolina, June 1984; page 4L; with a b/w reproduction, ("Figure and Landscape",1984).

Herring, Neill. “Stephan Bayless, Elizabeth Cain, Virginia Derryberry, Larry Gray, Patrick McCay, and Zdzislaw R.

Sikora”, Art Papers, July/August, 1994, Volume 18, #4.

Howard, Rosanne."Cain's Art Captivates," The Savannah News Press, Savannah, Georgia, 17 July1988; page IF; with

color reproduction ("The Eye Is The First Circle", 1988; "Square Dance",1988).

Howard, Rosanne. "Touloose TouGroup", The Savannah News Press, March 25, 1988, page 1D

Jinker-Lloyd, Amy."Artist's Layered Paintings Evoke Myth, Mathematics" The Atlanta Journal Constitution, with color

reproduction (“Pi-R-Square Dance",1988).

Marinucci, Marcelle. “Getting to know Elizabeth Cain”, Coastal Art and Antiques, Savannah Georgia, page 8, with color

reproduction (“Romerly Marsh Maenas”), 1998.

Miller, Jack."New Southern Paintings", Art Papers, Atlanta, Georgia, March, April, 1989

Randall, Zoe. “Waiting to see work of Elizabeth Cain”, Connect Savannah, page B2, Savannah, Georgia , with 3 color

reproductions, 1999.

Rock, Maxinne."The Best Is Right Here, Fay Gold", Atlanta Magazine, Atlanta, Georgia; page 98

Schmidt, John."Betsy Cain's 'Bathtub' An "Icon of the Times"', The Savannah News Press, Savannah, Georgia, 13

November, 1983.

Shields, Kathleen."Paintings Complement Ceramics At Exhibit", The Albuquerque Journal, Albuquerque, New Mexico,

19 September 1982; page D6, with a b/w reproduction, ("Armchair with Leg", 1982).

Weyman, William."Expressionist Show At Armstrong", The GeorgiaGazette, 13 October 1982

Roswell Museum and Art Center, (Quarterly Bulletin, Volume 28, #4 Fall,1980), Roswell, New Mexico; with a b/w

reproduction, ("In Conference", 1980), also statement by artist and biographical information.

Money, Power and Sex: A self-help guide for all ages, by Robert Steed, color reproduction on cover ("Interior with

Figure and Landscape", 1980).

Brown's Guide To Georgia, January 1982, color reproduction on Cover, ("Blue Chair",1980)

A Guide To The Coca-Cola Company Art Collection'#15, ("Marionette-and Sundial", 1986; "Tabletop Easel With Dog',

1986).

To Dance With the White Dog, by Terry Kay, color reproduction on cover, 1990.